I'm Lewis Black. I'm a stand-up comic and a writer.
Could you tell us about your charity?
I'm playing for two charities, the 52nd Street Project, which is a, uh--began as a mentoring program for, uh--was done by theater folks in New York City, and it's grown into a much larger, uh, mentoring program than even that, and, uh, and then I also am doing it for the Cystic Fibrosis Foundation.
What impact would $50,000 have on your charity?
The $50,000 that I could win is putting an inordinate amount of pressure on me. If this was for me, I wouldn't care. Now I'm--now I'm sweating. Now I feel like I've let everyone down if--if this doesn't work out.
Does being the only comedian in the group give you an edge?
The only edge I have is that if I blow something, you know, a question, and I can--hopefully I'm fine, when I screw up. That's the edge I have.
Do you have a strategy?
No. I've got no strategy in mind, except to try to--try to focus, which I find really impossible.
Do you have a dream category?
If this wasn't going on camera--I would never--I shouldn't share this, since this is... The dream category would be, uh, BROADWAY MUSICALS the--THROUGH, uh, THROUGH 1975. That, I would kill. And that's--that's the saddest information I've ever shared with the larger public. I mean, I've--I kind of knew that stuff. I came out of--of--really, I studied theater for a long time, and I initially got into musicals. But I'm really--I remember--it's the only--it's one of those things I remember, because of, you know, because there reaches a point when you--where between 30 and 50 everything goes into the sewer, and you remember nothing. |
"With success in films, plays, books, and TV specials, he tours worldwide with a standup act that combines laughter and political insight. Oh, and did we mention albums? Here's Grammy winner..."
2012 Power Players Week player (2012-05-17).
Playing for the 52nd St. Project and the Cystic Fibrosis Foundation.
Not to be confused with Season 35 player Lewis Black.
George Carlin, Larry King and Jules Feiffer love Lewis Black. They love him because his insights and love/hate relationship with America are brilliantly expressed in his concerts and TV appearances worldwide. How can you not love a man who says, "Republicans are a party with bad ideas and Democrats are a party with no ideas." Will Rogers would have been proud.
Lewis is one of the most prolific and popular performers working today. He executes a brilliant trifecta as stand-up comedian, actor and author. Receiving critical acclaim, he performs over 200 nights a year to sell out audiences throughout Europe, New Zealand, Canada and The United States. He is one of few performers to sell out multiple, renowned theatres including Carnegie Hall, Lincoln Center, Brooks Atkinson Theatre, New York City Center and the MGM Grand in Las Vegas. In August 2007, he was the first stand-up comedian to ever perform in concert at the Walt Disney Concert Hall in Los Angeles.
Lewis' live performances provide a cathartic release of anger and disillusionment for his audience. Lewis yells so they don't have to. A passionate performer who is more pissed off optimist than mean-spirited curmudgeon, he's perfected expressing what the rest of us cannot say in polite company. Lewis is the rare comic who can cause an audience to laugh themselves into incontinence while making compelling points about the absurdity of our world. It's no wonder he's been compared to Mort Sahl, Lenny Bruce, and Bill Hicks.
Lewis was born in Washington D.C. and raised in Silver Spring, Maryland. Colicky as a baby, it seems he was destined to be angry and easily irritated. His mother, a teacher, and his father, a mechanical engineer, instilled in both Lewis and his younger brother Ron the importance of education and the necessity to question authority; lessons which have influenced Lewis throughout his private and professional life. When Lewis was 12, his father took him to his first play and he quickly fell in love with the theatre. This ultimately led Lewis to pursue a career in drama. Degrees followed from the University of North Carolina and Yale Drama School, with a stint in Colorado owning a theatre with a group of friends in the interim. During his tenure at UNC, Lewis first ventured into stand-up, performing at Cat's Cradle in Chapel Hill. Stand-up continued to be a steady presence as he pursued his career in theatre.
Lewis eventually settled in New York City and became the playwright-in-residence at the West Bank Café's Downstairs Theatre Bar. Lewis oversaw the development of more than 1,000 plays, including works by West Wing creator Aaron Sorkin, American Beauty writer Alan Ball as well as his own original works. In addition to overseeing the works on stage, Lewis emceed every show. As the West Bank grew, so did Lewis' skill as a stand-up and eventually, the fulfillment of performing stand-up outweighed that of working in the theater. Having found his public voice, Lewis left the West Bank in the late '80s to pursue stand-up full time.
In 1996, his friend Lizz Winstead tapped him to create a weekly segment for a show she was producing on Comedy Central called The Daily Show. The segment, a three minute rant about whatever was bothering him at the moment, evolved into "Back in Black". It became one of the most popular and longest running segments on the show and created a long and successful relationship with the network. Since then, Lewis has taped four specials for the Comedy Central Presents series, co-created Last Laugh with Lewis Black and continues to perform "Back in Black" on The Daily Show with Jon Stewart. These popular appearances on Comedy Central helped to win him Best Male Stand-Up at the American Comedy Awards in 2001.
Increased exposure from The Daily Show eventually generated a record deal with Stand Up! Records. His first CD, The White Album, was released in 2000 to much critical acclaim. Lewis followed with seven more, five under the Comedy Central Records label. He received a 2006 Grammy nomination for Luther Burbank Performing Arts Center Blues and won Grammys for Best Comedy Album for The Carnegie Hall Performance in 2007 and Stark Raving Black in 2011.
Having developed a strong relationship with HBO, he's filmed two specials, Black On Broadway and Red, White and Screwed, which was nominated for an Emmy in 2007. He also had a regular feature on Inside the NFL in 2004/2005 and in 2006 was asked to participate in Comic Relief. He was honored to do so.
A much sought after guest for several late-night television shows, he's been seen on Larry King Live, a frequent guest on Late Night with Conan O'Brian as well as Late Night with Jimmy Fallon and has appeared on The Late Show with David Letterman. He's had numerous, memorable appearances on CNN and is particularly happy to have contributed to MSNBC's Rachel Maddow Show and Current TV's Countdown with Keith Olbermann.
In the midst of a rigorous touring schedule and several TV appearances, Lewis has published three books, Nothing's Sacred (Simon and Schuster, 2005), Me of Little Faith (Riverhead Books 2008) and his latest, I'm Dreaming of a Black Christmas (Riverhead Books 2010). All were well received by both critics and fans.
Having written over 40 plays, much of his work has been produced around the country. The Deal, a dark comedy about business, was made into a short film in 1998 and picked up by the Sundance Channel. In 2005, Garry Marshall's Falcon Theatre in Los Angeles produced One Slight Hitch, a play that was later seen in 2006 at the Tampa Bay Performing Arts Center's Patel Conservatory. In 2011 Hitch was featured at The Williamstown Theatre Festival and it will be part of ACT's 2012 season in Seattle, Washington.
In 2006, Lewis had a break out year as an actor. He co-starred with Robin Williams in Barry Levinson's Man of the Year (Universal Pictures), appeared as "the fake dean of a fake college" in Steve Pink's Accepted (Universal Pictures) and as the harried airport manager in Paul Feig's Unaccompanied Minors (Warner Brothers). In addition, he lent his voice to the role of "Jimmy" in Bob Saget's parody, Farce of the Penguins (Thinkfilm).
In addition to his professional pursuits, Lewis is dedicated to a number of charitable organizations. As a long time mentor with the 52nd Street Project, Lewis was roasted in Charred Black 2007 which drew the largest fundraising numbers in the Project's history. He's a member of their Advisory Board, is Co-Chair of their Capital Campaign and in 2000, the Ron Black Memorial Scholarship Fund was created in memory of his late brother. Lewis is also committed to raising funds for the Rusty Magee Clinic for Families and Health. He's a strong supporter of both the Cystic Fibrosis Foundation and Autism Speaks and was recently honored by The Brady Center for his commitment to ending gun violence. At the Williamstown Theatre Festival, he established the William Foeller Fellowship, having taught and performed at the festival for more than a decade.
Today Lewis maintains residences in both Manhattan and Chapel Hill, North Carolina. Still loyal to his alma mater, he's worked with UNC students to create the Carolina Comedy Festival, a yearly festival on the UNC campus that not only highlights performances, but also provides workshops and lectures for budding comics, writers and performers. With his involvement at UNC Lewis continues a life-long commitment to education and the arts.
In his leisure time, Lewis likes to play golf, even though golf hates him. |
